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How come in this whole article, only her birthname is mentioned as an Armenian, yet, throughout the whole article she never used any word pertaining to Armenia or Armenians.Īs an Armenian, I would like to know how could I be connected to her, or how could she be connected with Armenians? I hope, that we have not lost another talented Armenian. Songwriting was always a hobby of mine, but I never fully expected it to become a career.” It always starts with a small seed of an idea. And I’ll just sit down with it, sometimes it works, sometimes it doesn’t. I just like to explore an idea, usually it starts with a phrase or maybe a melody,” Korkejian recalls. It’s a pretty intuitive process, so I don’t really have one formula. “My songwriting process can really vary from song to song. Over the years, the songs evolved and shaped into the gorgeous melodies of Waysides. The album gives listeners a euphoric peek into her personal world, some of the songs being over a decade old. Her adventures as a wanderer gave way to songs like “The Solitude,” “Forever Everette,” “I Don’t Need the Light,” and “Sonnet 104” - songs that range from dreamy ballads to downcast lilts to Nick Drake and Elliot Smith-esque instrumentals that capture Bedouine’s sound. I didn’t necessarily want to get really good at the guitar it’s still that to me. I was really just teaching myself, and it was a way to write songs.
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“Having my own guitar pushed me towards playing music. “The day I drove away from Texas to go towards my college in California, I stopped in the morning at a pawn shop to grab a guitar because I realized that I wouldn’t be able to go to my friend’s house to play their guitar,” says Korkejian. Driven by work and dreams of working in sound-editing, Korekjian traveled to places like Kentucky and Georgia, experiences that all led her to Los Angeles, where she is currently based. As she came of age in Saudi Arabia, her family ended up winning a Green Card lottery and eventually settled in Boston, and shortly after, Houston. Born Azniv Korkejian in Aleppo, Syria to an Armenian family, Bedouine (derived from the Arabic word “badawī,” a nomadic Arab of the Arabian, Syrian or northern African deserts) has been somewhat of a nomad herself. The hundreds of thousands of streams on the album prove that people are definitely interested. “I thought it would be an intimate thing to share like, ‘Here are a bunch of songs that I was never going to release.’ Given that I was not going anywhere for a while, I decided to put them together and make it a little package for people, should they be interested.” I really wanted it to be an offering to people who are already fans of Bedouine,” she says. “ Waysides was a little bit different from my other work because it really started as a casual idea. Filled to the brim with folk stories for the modern age, Waysides was surprisingly never intended to be an album at all. A harmonious blend of her tried-and-true style, Bedouine is a master of her craft, seamlessly interweaving the gems of Laurel Canyon, the self-appointed capital of the 60s music scene, country crooners and the varied eclectic styles of psychedelic folk.
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With the same honeyed voice and enchanting, finger-picked acoustic instrumentals, singer-songwriter Bedouine returns with the release of her new album Waysides.